Details

Diffractive Reading


Diffractive Reading

New Materialism, Theory, Critique
New Critical Humanities

von: Kai Merten

42,99 €

Verlag: Rowman & Littlefield Publishers
Format: EPUB
Veröffentl.: 27.05.2021
ISBN/EAN: 9781786613974
Sprache: englisch
Anzahl Seiten: 352

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Beschreibungen

<span><span>Putting the New Materialist figure of diffraction to use in a set of readings – in which cultural texts are materially read against their contents and their themes, against their readers or against other texts – this volume proposes a critical</span><span> </span><span>intervention into the practice of reading itself. In this book, reading and reading methodology are probed for their materiality and re-considered as being inevitably suspended between, or diffracted with, </span><span>both</span><span> matter </span><span>and</span><span> discourse. The history of literary and cultural reading, including poststructuralism and critical theory, is revisited in a new light and opened-up for a future in which the world and reading are no longer regarded as conveniently separate spheres, but recognized as deeply entangled and intertwined. </span></span>
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<span><span>Diffractive Reading</span><span> ultimately represents a new reading of reading itself: firstly by critiquing the distanced perspective of critical paradigms such as translation and intertextuality, in which texts encountered, processed or otherwise subdued; secondly, showing how all literary and cultural readings represent different ‘agential cuts’ in the world-text-reader constellation, which is always both discursive and material; and thirdly, the volume materializes, dynamizes and politicizes the activity of reading by drawing attention to reading’s intervention in, and (co)creation of, the world in which we live.</span></span>
<p><span>Putting the New Materialist figure of diffraction to use in a set of readings – in which cultural texts are materially read against their contents and their themes, against their readers or against other texts – this volume proposes a critical</span><span> </span><span>intervention into the practice of reading itself.</span></p>
<p><span>1. Introduction - Kai Merten (Erfurt, Germany)</span></p>
<p><span>PART I: Diffractive Reading: Groundwork</span></p>
<p><span>2. On the Politics of Diffractive Reading - Birgit M. Kaiser </span></p>
<p><span>3. Heraclitus’s speculative onto-story: Impossible appointments and the importance of the encounter - Max Walther</span></p>
<p><span>4. Decoherent Reading: On the Constitutive Exclusions of Diffractive Reading - Stacey Moran</span></p>
<p><span>5. Reading speculative horror readings diffractively - Peter Schuck </span></p>
<p><span>PART II: Diffracting Literature: Diffractions of the World-Text-Reader Entanglement</span></p>
<p><span>6. Poem, Epic, and Epoch: A Diffractive Reading of William Carlos Williams’s Paterson and Georg Lukács’s Theory of the Novel in the Age of New Materialism - Brendan Johnston </span></p>
<p><span>7. Sauron’s Sliding Door: The Diffraction of Mythological and Intimate ‘Evil’ in Tolkien - Bo Kampmann Walther </span></p>
<p><span>8. Sensing I and Eyes in Ali Smith’s </span><span>How to Be Both</span><span> - Daniela Keller </span></p>
<p><span>9. Practices of Entanglement: UnReading the Genre in China Miéville’s</span><span>The Scar</span><span> - Agnieszka Kotwasińska </span></p>
<p><span>10. The Entanglements of Harry Burden: A Diffractive Reading of Siri Hustvedt - Matthias Stephan</span></p>
<p><span>11. Surfacing: A diffractive reading experiment with books and houses in Walter Benjamin’s</span><span> Ich packe meine Bibliothek aus</span><span> and Carlos María Domínguez’ </span><span>Casa de papel</span><span> - Annina Klappert </span></p>
<p><span>PART III: Diffracting (in) Music, Visual and Digital Media</span></p>
<p><span>12. Diffractive Aesthetics &amp; Holographic Literacies: Transcoding the Gigaton Volume Detector [A Diffracted Photo-Essay] - Jol Thoms </span></p>
<p><span>13. Diffracting Maternal and Female Midlife Sexual Assemblages in Postfeminist Popular Culture - Susan Yi Sencindiver </span></p>
<p><span>14. Ontoflecting Through U2 - Nathan D. Frank </span></p>
<p><span>15. Reprogramming Rhetoric: Toward a Diffractive Epistemology of Computer Composition - Sean McCullough </span></p>
<p><span>Kai Merten is professor of British literature at the University of Erfurt. His main research and teaching interests are British literature and culture from various medial, material and global perspectives. He is the founder of the Erfurt Network on New Materialism (ENNM) and has initiated cooperations in the field of New Materialist methodologies with similar research groups in Erfurt (Max-Weber-Kolleg), Weimar, Utrecht, Berlin, Aarhus, Odense, Kiel and Warsaw.</span></p>

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