Details

1. Continuity and Change in the Relationship between Popular Music, Culture, and Technology: An Introduction.- 2. Music Scenes as Infrastructures: From Live Venues to Algorithmic Data.- 3. From Music Scenes to Musicalized Networks: A Critical Perspective on Digitalization.- 4. Niche Underground: Media, Technology, and the Reproduction of Underground Cultural Capital.- 5. The Relentless Rise of the Poptimist Omnivore: Taste, Symbolic Power, and the Digitization of the Music Industries.- 6. Frictionless Platforms, Frictionless Music: The Utopia of Streaming in Music Industry Press Narratives.- 7. The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-formation.- 8. Authenticity and Digital Popular Music Brands.- 9. Listening to the Scrap: Contested Materialities of Music in 1990s China.- 10. Obsolete Technology? The Significance of the Cassette Format in Twenty-First Century Japan.- 11. “Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene.- 12. Discovering Music at Sofar Sounds: Surprise, Attachment, and the Fan-Artist Relationship.- 13. Delicate Balances: The Roles of Amateur Concert Videos in the Galician Underground Scene.- 14. Cassetteboy: Music, Social Media, and the Political Comedy Mash-up. 

<div><p><b>Emília Barna, PhD&nbsp;</b>is Assistant Professor at Budapest University of Technology and Economics.</p><p><b>Tamas Tofalvy, PhD&nbsp;</b>is Associate Professor at Budapest University of Technology and Economics.</p><p><br></p><p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</p></div><div><br></div><div><br></div><div><br></div>

“Today’s pop music is technologically embedded in an array of different devices, platforms, and media. This wide-ranging book by a new generation of media scholars tracks a fascinating assortment of case studies, and powerfully shows how this digital ecology arises from the interaction of different cultures, technologies, and social groups.”<p></p>

<p>--<b>Trevor Pinch</b>, Goldwin Smith Professor of Science and Technology Studies, Cornell University, US, author of <i>Analog Days: The Invention and Impact of the Moog Synthesizer</i></p>

“This is a timely collection that provides much-needed guidance on how we should navigate the vexing thickets of music in a changing media landscape, and clear-headed thought on the ruptures, continuities, and challenges facing contemporary music. The collection will not merely embellish existing debates on music and technological change, but set new agendas running on how we should come to terms with these changes without falling into reductionism, polemic, or panic.”<p></p>

<p>--<b>Nick Prior</b>, Professor of Cultural Sociology, University of Edinburgh, UK, author of <i>Popular Music,&nbsp;</i><i>Digital Technology, and Society</i></p>

<p>This book explores the relationships between popular music, technology, and the changing media ecosystem. More precisely, it looks at infrastructures and practices of music making and consuming primarily in the post-Napster era of digitization – with some chapters looking back on the technological precursors to digital culture – marked by the emergence of digital tools and platforms such as YouTube or Spotify. The first section provides a critical overview of theories addressing popular music and digital technology, while the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology. The third section offers case studies on the materialities of music consumption from outside the western core of popular music production. The final section reflects on music scenes and the uses and discourses of social media.</p>

<p><b>Emília Barna, PhD </b>is Assistant Professor at Budapest University of Technology and Economics. </p>

<p><b>Tamas Tofalvy, PhD </b>is Associate Professor at Budapest University of Technology and Economics. </p>

Utilizes a cross-disciplinary approach, integrating the concepts and perspectives of popular music studies, media studies, science and technology studies, and sociology Avoids technological determinism, focusing instead on the social and economic embeddedness of technology, and the cultural construction of technology Focuses on producers, consumers, distributors and the relationships between them