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THOMAS MANN

Buddenbrooks

TRANSLATED FROM THE GERMAN BY
H. T. Lowe-Porter
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Contents

Cover

About the Book

About the Author

Also by Thomas Mann

Title Page

Translator’s Note

Part One

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Part Two

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Part Three

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Part Four

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Part Five

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Part Six

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Part Seven

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Part Eight

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Part Nine

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Part Ten

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Part Eleven

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Copyright

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

Epub ISBN: 9781446484449
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Copyright © S. Fischer Verlag 1901
English translation copyright © Alfred A. Knopf 1924
Renewal copyright © Alfred A. Knopf 1952

First published in Great Britain by Martin Secker & Warburg in 1924
Published by Minerva in 1996

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A CIP catalogue record for this book is available from the British Library

About the Book

The Buddenbrook clan is everything you’d expect of a nineteenth-century German merchant family – wealthy, esteemed, established. Four generations later, a tide of twentieth-century modernism has gradually disintegrated the bourgeois values on which the Buddenbrooks built their success. In this, Mann’s first novel, his astounding, semi-autobiographical family epic, he portrays the transition of genteel Germanic stability to a very modern uncertainty.

About the Author

Thomas Mann was born in 1875 in Lübeck, of a line of prosperous and influential merchants. Mann was educated under the discipline of North German schoolmasters before working for an insurance office aged nineteen. During this time he secretly wrote his first tale, Fallen, and shortly afterwards left the insurance office to study art and literature at the University in Munich. After a year in Rome he devoted himself exclusively to writing. He was only twenty-five when Buddenbrooks, his first major novel, was published. Before it was banned and burned by Hitler, it had sold over a million copies in Germany alone. His second great novel, The Magic Mountain, was published in 1924 and the first volume of his tetralogy Joseph and his Brothers in 1933. In 1929 he was awarded the Nobel Prize for literature. In 1933 Thomas Mann left Germany to live in Switzerland. Then, after several previous visits, in 1938 he settled in the United States where he wrote Doctor Faustus and The Holy Sinner. Among the honours he received in the USA was his appointment as a Fellow of the Library of Congress. He revisited his native country in 1949 and returned to Switzerland in 1952, where The Black Swan and Confessions of Felix Krull were written and where he died in 1955.

ALSO BY THOMAS MANN

Fiction

Tristan (including Toniö Kroger)

Royal Highness

Death in Venice

The Infant Prodigy

The Magic Mountain

Disorder and Early Sorrow

Mario and the Magician

Joseph and his Brothers

Lotte in Weimar

The Transposed Heads

Doctor Faustus

The Holy Sinner

The Black Swan

Confessions of Felix Krull

Stories of a Lifetime Volumes I and II

Non-Fiction

Reflections of a Non-Political Man

A Sketch of My Life

Order of the Day

An Exchange of Letters

The Coming Victory of Democracy

Essays of Three Decades

Last Essays

Letters to Paul Amann

The Letters of Thomas Mann Volumes I and II

TRANSLATOR’S NOTE

Buddenbrooks was written before the turn of the century; it was first published in 1902, and became a German classic. It is one of those novels – we possess many of them in English – which are at once a work of art and the unique record of a period and a district. Buddenbrooks is great in its psychology, great as the monument of a vanished cultural tradition, and ultimately great by the perfection of its art: the classic purity and beautiful austerity of its style.

The translation of a book which is a triumph of style in its own language, is always a piece of effrontery. Buddenbrooks is so leisurely, so chiselled: the great gulf of the war divides its literary method from that of our time. Besides, the author has recorded much dialect. This difficulty is insuperable. Dialect cannot be transferred.

So the present translation is offered with humility. It was necessary to recognize that the difficulties were great. Yet it was necessary to set oneself the bold task of transferring the spirit first and the letter so far as might be; and above all, to make certain that the work of art, coming as it does to the ear, in German, like music out of the past, should, in English, at least not come like a translation – which is, “God bless us, a thing of naught.”

H. T. LOWE-PORTER

PART ONE

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AND – AND – WHAT comes next?”

“Oh, yes, yes, what the dickens does come next? C’est la question, ma très chère demoiselle!

Frau Consul Buddenbrook shot a glance at her husband and came to the rescue of her little daughter. She sat with her mother-in-law on a straight white-enamelled sofa with yellow cushions and a gilded lion’s head at the top. The Consul was in his easy-chair beside her, and the child perched on her grandfather’s knee in the window.

“Tony,” prompted the Frau Consul, “‘I believe that God’–”

Dainty little eight-year-old Antonie, in her light shot-silk frock, turned her head away from her grandfather and stared aimlessly about the room with her blue-grey eyes, trying hard to remember. Once more she repeated “What comes next?” and went on slowly: “‘I believe that God’–” and then, her face brightening, briskly finished the sentence: “‘created me, together with all living creatures.’” She was in smooth waters now, and rattled away, beaming with joy, through the whole Article, reproducing it word for word from the Catechism just promulgated, with the approval of an omniscient Senate, in that very year of grace 1835. When you were once fairly started, she thought, it was very like going down “Mount Jerusalem” with your brothers on the little sled: you had no time to think, and you couldn’t stop even if you wanted to.

“‘And clothes and shoes,’” she said, “‘meat and drink, hearth and home, wife and child, acre and cow …’” But old Johann Buddenbrook could hold in no longer. He burst out laughing, in a high, half-smothered titter, in his glee at being able to make fun of the Catechism. He had probably put the child through this little examination with no other end in view. He inquired after Tony’s acre and cow, asked how much she wanted for a sack of wheat, and tried to drive a bargain with her.

His round, rosy, benevolent face, which never would look cross no matter how hard he tried, was set in a frame of snow-white powdered hair, and the suggestion of a pigtail fell over the broad collar of his mouse-coloured coat. His double chin rested comfortably on a white lace frill. He still, in his seventies, adhered to the fashions of his youth: only the lace frogs and the big pockets were missing. And never in all his life had he worn a pair of trousers.

They had all joined in his laughter, but largely as a mark of respect for the head of the family. Madame Antoinette Buddenbrook, born Duchamps, tittered in precisely the same way as her husband. She was a stout lady, with thick white curls over her ears, dressed in a plain gown of striped black and grey stuff which betrayed the native quiet simplicity of her character. Her hands were still white and lovely, and she held a little velvet work-bag on her lap. It was strange to see how she had grown, in time, to look like her husband. Only her dark eyes, by their shape and their liveliness, suggested her half-Latin origin. On her grandfather’s side Madame Buddenbrook was of French-Swiss stock, though born in Hamburg.

Her daughter-in-law, Frau Consul Elizabeth Buddenbrook, born Kröger, laughed the sputtering Kröger laugh and tucked in her chin as the Krögers did. She could not be called a beauty, but, like all the Krögers, she looked distinguished; she moved with graceful deliberation and had a clear, well-modulated voice. People liked her and felt confidence in her. Her reddish hair curled over her ears and was piled in a crown on top of her head; and she had the brilliant white complexion that goes with such hair, set off with a tiny freckle here and there. Her nose was rather too long, her mouth somewhat small; her most striking facial peculiarity was the shape of her lower lip, which ran straight into the chin without a curve. She had on a short bodice with high puffed sleeves, that left exposed a flawlessly modelled neck adorned with a spray of diamonds on a satin ribbon.

The Consul was leaning forward in his easy-chair, rather fidgety. He wore a cinnamon-coloured coat with wide lapels and leg-of-mutton sleeves close-fitting at the wrists, and white linen trousers with black stripes up the outside seams. His chin nestled in a stiff choker collar, around which was folded a silk cravat that flowed down amply over his flowered waistcoat.

He had his father’s deep-set blue observant eyes, though their expression was perhaps more dreamy; but his features were clearer-cut and more serious, his nose was prominent and aquiline, and his cheeks, half-covered with a fair curling beard, were not so plump as the old man’s.

Madame Buddenbrook put her hand on her daughter-in-law’s arm and looked down at her lap with a giggle. “Oh, mon vieux – he’s always the same, isn’t he, Betsy?”

The Consul’s wife only made a motion with her delicate hand, so that her gold bangles tinkled slightly. Then, with a gesture habitual to her, she drew her finger across her face from the corner of her mouth to her forehead, as if she were smoothing back a stray hair.

But the Consul said, half-smiling, yet with mild reproach: “There you go again, Father, making fun of sacred things.”

They were sitting in the “landscape-room” on the first floor of the rambling old house in Meng Street, which the firm of Johann Buddenbrook had acquired some time since, though the family had not lived in it long. The room was hung with heavy resilient tapestries put up in such a way that they stood well out from the walls. They were woven in soft tones to harmonize with the carpet, and they depicted idyllic landscapes in the style of the eighteenth century, with merry vine-dressers, busy husbandmen, and gaily beribboned shepherdesses who sat beside crystal streams with spotless lambs in their laps or exchanged kisses with amorous shepherds. These scenes were usually lighted by a pale yellow sunset to match the yellow coverings on the white enamelled furniture and the yellow silk curtains at the two windows.

For the size of the room, the furniture was rather scant. A round table, its slender legs decorated with fine lines of gilding, stood, not in front of the sofa, but by the wall opposite the little harmonium, on which lay a flute-case; some stiff arm-chairs were ranged in a row round the walls; there was a sewing-table by the window, and a flimsy ornamental writing-desk laden with knick-knacks.

On the other side of the room from the windows was a glass door, through which one looked into the semi-darkness of a pillared hall; and on the left were the lofty white folding doors that led to the dining-room. A semi-circular niche in the remaining wall was occupied by the stove, which crackled away behind a polished wrought-iron screen.

For cold weather had set in early. The leaves of the little lime-trees around the churchyard of St. Mary’s, across the way, had turned yellow, though it was but mid-October. The wind whistled around the corners of the massive Gothic pile, and a cold, thin rain was falling. On Madame Buddenbrook’s account, the double windows had already been put in.

It was Thursday, the day on which all the members of the family living in town assembled every second week, by established custom. To-day, however, a few intimate friends as well had been bidden to a family dinner; and now, towards four o’clock in the afternoon, the Buddenbrooks sat in the gathering twilight and awaited their guests.

Little Antonie had not let her grandfather interfere with her toboggan-ride. She merely pouted, sticking out her already prominent upper lip still further over the lower one. She was at the bottom of her Mount Jerusalem, but not knowing how to stop herself, she shot over the mark. “Amen,” she said. “I know something, Grandfather.”

Tiens!” cried the old gentleman. “She knows something!” He made as if he were itching all over with curiosity. “Did you hear, Mamma? She knows something. Can any one tell me –?”

“If the lightning,” uttered Tony, nodding her head with every word, “sets something on fire, then it’s the lightning that strikes. If it doesn’t, why, then it’s the thunder!” She folded her arms and looked around her like one sure of applause. But old Buddenbrook was annoyed by this display of wisdom. He demanded to know who had taught her such nonsense. It turned out that the culprit was the nursery governess, Ida Jungmann, who had lately been engaged from Marienwerder. The Consul had to come to her defence.

“You are too strict, Papa. Why shouldn’t the child have her own little ideas about such things, at her age?”

Excusez, mon cher! … Mais c’est une folie! You know I don’t like the children’s heads muddled with such things. ‘The thunder strikes,’ does it? Oh, very well, let it strike, and get along with your Prussian woman!”

The truth was, the old gentleman hadn’t a good word to say for Ida Jungmann. Not that he was narrow-minded. He had seen something of the world, having travelled by coach to Southern Germany in 1813 to buy up wheat for the Prussian army; he had been to Amsterdam and Paris, and was too enlightened to condemn everything that lay beyond the gabled roofs of his native town. But in social intercourse he was more apt than his son to draw the line rigidly and give the cold shoulder to strangers. So when this young girl – she was then only twenty – had come back with his children from a visit to Western Prussia, as a sort of charity-child, the old man had made his son a scene for the act of piety, in which he spoke hardly anything but French and low German. Ida was the daughter of an inn-keeper who had died just before the Buddenbrooks’ arrival in Marienwerder. She had proved to be capable in the household and with the children, and her rigid honesty and Prussian notions of caste made her perfectly suited to her position in the family. She was a person of aristocratic principles, drawing hair-line distinctions between class and class, and very proud of her position as servant of the higher orders. She objected to Tony’s making friends with any schoolmate whom she reckoned as belonging only to the respectable middle class.

And now the Prussian woman herself came from the pillared hall through the glass door – a fairly tall, big-boned girl in a black frock, with smooth hair and an honest face. She held by the hand an extraordinarily thin small child, dressed in a flowered print frock, with lustreless ash-coloured hair and the manner of a little old maid. This was Clothilde, the daughter of a nephew of old Buddenbrook who belonged to a penniless branch of the family and was in business at Rostock as an estates agent. Clothilde was being brought up with Antonie, being about the same age and a docile little creature.

“Everything is ready,” Mamsell Jungmann said. She had had a hard time learning to pronounce her r’s, so now she rolled them tremendously in her throat. “Clothilde helped very well in the kitchen, so there was not much for cook to do.”

Monsieur Buddenbrook sneered behind his lace frill at Ida’s accent. The Consul patted his little niece’s cheek and said: “That’s right, Tilda. Work and pray. Tony ought to take a pattern from you; she’s far too likely to be saucy and idle.”

Tony dropped her head and looked at her grandfather from under her eyebrows. She knew he would defend her – he always did.

“No, no,” he said, “hold your head up, Tony. Don’t let them frighten you. We can’t all be alike. Each according to his lights. Tilda is a good girl – but we’re not so bad, either. Hey, Betsy?”

He turned to his daughter-in-law, who generally deferred to his views. Madame Antoinette, probably more from shrewdness than conviction, sided with the Consul; and thus the older and the younger generation crossed hands in the dance of life.

“You are very kind, Papa,” the Consul’s wife said. “Tony will try her best to grow up a clever and industrious woman.… Have the boys come home from school?” she asked Ida.

Tony, who from her perch on her grandfather’s knee was looking out the window, called out in the same breath: “Tom and Christian are coming up Johannes Street … and Herr Hoffstede … and Uncle Doctor.…”

The bells of St. Mary’s began to chime, ding-dong, ding-dong – rather out of time, so that one could hardly tell what they were playing; still, it was very impressive. The big and the little bell announced, the one in lively, the other in dignified tones, that it was four o’clock; and at the same time a shrill peal from the bell over the vestibule door went ringing through the entry, and Tom and Christian entered, together with the first guests, Jean Jacques Hoffstede, the poet, and Doctor Grabow, the family physician.

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HERR JEAN JACQUES HOFFSTEDE was the town poet. He undoubtedly had a few verses in his pocket for the present occasion. He was nearly as old as Johann Buddenbrook, and dressed in much the same style except that his coat was green instead of mouse-coloured. But he was thinner and more active than his old friend, with bright little greenish eyes and a long pointed nose.

“Many thanks,” he said, shaking hands with the gentlemen and bowing before the ladies – especially the Frau Consul, for whom he entertained a deep regard. Such bows as his it was not given to the younger generation to perform; and he accompanied them with his pleasant quiet smile. “Many thanks for your kind invitation, my dear good people. We met these two young ones, the Doctor and I” – he pointed to Tom and Christian, in their blue tunics and leather belts – “in King Street, coming home from school. Fine lads, eh, Frau Consul? Tom is a very solid chap. He’ll have to go into the business, no doubt of that. But Christian is a devil of a fellow – a young incroyable, hey? I will not conceal my engouement. He must study, I think – he is witty and brilliant.”

Old Buddenbrook used his gold snuff-box. “He’s a young monkey, that’s what he is. Why not say at once that he is to be a poet, Hoffstede?”

Mamsell Jungmann drew the curtains, and soon the room was bathed in mellow flickering light from the candles in the crystal chandelier and the sconces on the writing-desk. It lighted up golden gleams in the Frau Consul’s hair.

“Well, Christian,” she said, “what did you learn to-day?” It appeared that Christian had had writing, arithmetic, and singing lessons. He was a boy of seven, who already resembled his father to an almost comic extent. He had the same rather small round deep-set eyes and the same prominent aquiline nose; the lines of his face below the cheek-bones showed that it would not always retain its present child-like fulness.

“We’ve been laughing dreadfully,” he began to prattle, his eyes darting from one to another of the circle. “What do you think Herr Stengel said to Siegmund Kostermann?” He bent his back, shook his head, and declaimed impressively: “‘Outwardly, outwardly, my dear child, you are sleek and smooth; but inwardly, my dear child, you are black and foul.’ …” He mimicked with indescribably funny effect not only the master’s odd pronunciation but the look of disgust on his face at the “outward sleekness” he described. The whole company burst out laughing.

“Young monkey!” repeated old Buddenbrook. But Herr Hoffstede was in ecstasies. “Charmant!” he cried. “If you know Marcellus Stengel – that’s he, to the life. Oh, that’s too good!”

Thomas, to whom the gift of mimicry had been denied, stood near his younger brother and laughed heartily, without a trace of envy. His teeth were not very good, being small and yellowish. His nose was finely chiselled, and he strikingly resembled his grandfather in the eyes and the shape of the face.

The company had for the most part seated themselves on the chairs and the sofa. They talked with the children or discussed the unseasonable cold and the new house. Herr Hoffstede admired a beautiful Sèvres inkstand, in the shape of a black and white hunting dog, that stood on the escritoire. Doctor Grabow, a man of about the Consul’s age, with a long mild face between thin whiskers, was looking at the table, set out with cakes and currant bread and salt-cellars in different shapes. This was the “bread and salt” that had been sent by friends for the house warming; but the “bread” consisted of rich, heavy pastries, and the salt came in dishes of massive gold, that the senders might not seem to be mean in their gifts.

“There will be work for me here,” said the Doctor, pointing to the sweetmeats and threatening the children with his glance. Shaking his head, he picked up a heavy salt and pepper stand from the table.

“From Lebrecht Kröger,” said old Buddenbrook, with a grimace. “Our dear kinsman is always open-handed. I did not spend as much on him when he built his summer house outside the Castle Gate. But he has always been like that – very lordly, very free with his money, a real cavalier à-la-mode.…”

The bell had rung several times. Pastor Wunderlich was announced; a stout old gentleman in a long black coat and powdered hair. He had twinkling grey eyes set in a face that was jovial if rather pale. He had been a widower for many years, and considered himself a bachelor of the old school, like Herr Gratiens, the broker, who entered with him. Herr Gratjens was a tall man who went around with one of his thin hands up to his eye like a telescope, as if he were examining a painting. He was a well-known art connoisseur.

Among the other guests were Senator Doctor Langhals and his wife, both friends of many years’ standing; and Köppen the wine-merchant, with his great crimson face between enormous padded sleeves. His wife, who came with him, was nearly as stout as he.

It was after half past four when the Krögers put in an appearance – the elders together with their children; the Consul Krögers with their sons Jacob and Jürgen, who were about the age of Tom and Christian. On their heels came the parents of Frau Consul Kröger, the lumber-dealer Överdieck and his wife, a fond old pair who still addressed each other in public with nicknames from the days of their early love.

“Fine people come late,” said Consul Buddenbrook, and kissed his mother-in-law’s hand.

“But look at them when they do come!” and Johann Buddenbrook included the whole Kröger connection with a sweeping gesture, and shook the elder Kröger by the hand. Lebrecht Kröger, the cavalier à-la-mode, was a tall, distinguished figure. He wore his hair slightly powdered, but dressed in the height of fashion, with a double row of jewelled buttons on his velvet waistcoat. His son Justus, with his turned-up moustache and small beard, was very like the father in figure and manner, even to the graceful easy motions of the hands.

The guests did not sit down, but stood about awaiting the principal event of the evening and passing the time in casual talk. At length, Johann Buddenbrook the elder offered his arm to Madame Köppen and said in an elevated voice, “Well, mesdames et messieurs, if you are hungry …”

Mamsell Jungmann and the servant had opened the folding-doors into the dining-room; and the company made its way with studied ease to table. One could be sure of a good square meal at the Buddenbrooks’.

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AS THE PARTY began to move toward the dining-room, Consul Buddenbrook’s hand went to his left breast-pocket and fingered a paper that was inside. The polite smile had left his face, giving place to a strained and care-worn look, and the muscles stood out on his temples as he clenched his teeth. For appearance’s sake he made a few steps toward the dining-room, but stopped and sought his mother’s eye as she was leaving the room on Pastor Wunderlich’s arm, among the last of her guests.

“Pardon me, dear Herr Pastor … just a word with you, Mamma.” The Pastor nodded gaily, and the Consul drew his Mother over to the window of the landscape-room.

“Here is a letter from Gotthold,” he said in low, rapid tones. He took out the sealed and folded paper and looked into her dark eyes. “That is his writing. It is the third one, and Papa answered only the first. What shall I do? It came at two o’clock, and I ought to have given it to him already, but I do not like to upset him today. What do you think? I could call him out here.…”

“No, you are right, Jean; it is better to wait,” said Madame Buddenbrook. She grasped her son’s arm with a quick, habitual movement. “What do you suppose is in it?” she added uneasily. “The boy won’t give in. He’s taken it into his head he must be compensated for his share in the house. … No, no, Jean. Not now. To-night, perhaps, before we go to bed.”

“What am I to do?” repeated the Consul, shaking his bent head. “I have often wanted to ask Papa to give in. I don’t like it to look as if I had schemed against Gotthold and worked myself into a snug place. I don’t want Father to look at it like that, either. But, to be honest … I am a partner, after all. And Betsy and I pay a fair rent for the second storey. It is all arranged with my sister in Frankfort: her husband gets compensation already, in Papa’s lifetime – a quarter of the purchase price of the house. That is good business: Papa arranged it very cleverly, and it is very satisfactory from the point of view of the firm. And if Papa acts so unfriendly to Gotthold –”

“Nonsense, Jean. Your position in the matter is quite clear. But it is painful for me to have Gotthold think that his step-mother looks out after her own children and deliberately makes bad blood between him and his father!”

“But it is his own fault,” the Consul almost shouted, and then, with a glance at the dining-room door, lowered his voice. “It is his fault, the whole wretched thing. You can judge for yourself. Why couldn’t he be reasonable? Why did he have to go and marry that Stüwing girl and … the shop.…” The Consul gave an angry, embarrassed laugh at the last word. “It’s a weakness of Father’s, that prejudice against the shop; but Gotthold ought to have respected it. …”

“Oh, Jean, it would be best if Papa would give in.”

“But ought I to advise him to?” whispered the Consul excitedly, clapping his hand to his forehead. “I am an interested party, so I ought to say, Pay it. But I am also a partner. And if Papa thinks he is under no obligation to a disobedient and rebellious son to draw the money out of the working capital of the firm … It is a matter of eleven thousand thaler, a good bit of money. No, no, I cannot advise him either for or against. I’d rather wash my hands of the whole affair. But the scene with Papa is so désagréable –”

“Late this evening, Jean. Come now; they are waiting.”

The Consul put the paper back into his breast-pocket, offered his arm to his mother, and led her over the threshold into the brightly lighted dining-room, where the company had already taken their places at the long table.

The tapestries in this room had a sky-blue background, against which, between slender columns, white figures of gods and goddesses stood out with plastic effect. The heavy red damask window-curtains were drawn; stiff, massive sofas in red damask stood ranged against the walls; and in each corner stood a tall gilt candelabrum with eight flaming candles, besides those in silver sconces on the table. Above the heavy sideboard, on the wall opposite the landscape room, hung a large painting of an Italian bay, the misty blue atmosphere of which was most effective in the candle-light.

Every trace of care or disquiet had vanished from Madame Buddenbrook’s face. She sat down between Pastor Wunderlich and the elder Kröger, who presided on the window side.

Bon appetit!” she said, with her short, quick, hearty nod, flashing a glance down the whole length of the table till it reached the children at the bottom.

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OUR BEST RESPECTS to you, Buddenbrook – I repeat, our best respects!” Herr Köppen’s powerful voice drowned the general conversation as the maid-servant, in her heavy striped petticoat, her fat arms bare and a little white cap on the back of her head, passed the potage aux fines herbes and toast, assisted by Mamsell Jungmann and the Frau Consul’s maid from upstairs. The guests began to use their soup-spoons.

“Such plenty, such elegance! I must say, you know how to do things! – I must say –” Herr Köppen had never visited the house in its former owner’s time. He did not come of a patrician family, and had only lately become a man of means. He could never quite get rid of certain vulgar tricks of speech – like the repetition of “I must say”; and he said “respecks” for “respects.”

“It didn’t cost anything, either,” remarked Herr Gratjens drily – he certainly ought to have known – and studied the wall-painting through the hollow of his hand.

As far as possible, ladies and gentlemen had been paired off, and members of the family placed between friends of the house. But the arrangement could not be carried out in every case; the two Överdiecks were sitting, as usual, nearly on each other’s laps, nodding affectionately at one another. The elder Kröger was bolt upright, enthroned between Madame Antoinette and Frau Senator Langhals, dividing his pet jokes and his flourishes between the two ladies.

“When was the house built?” asked Herr Hoffstede diagonally across the table of old Buddenbrook, who was talking in a gay chaffing tone with Madame Köppen.

“Anno … let me see … about 1680, if I am not mistaken. My son is better at dates than I am.”

“Eighty-two,” said the Consul, leaning forward. He was sitting at the foot of the table, without a partner, next to Senator Langhals. “It was finished in the winter of 1682. Ratenkamp and Company were just getting to the top of their form. … Sad, how the firm broke down in the last twenty years!”

A general pause in the conversation ensued, lasting for half a minute, while the company looked down at their plates and pondered on the fortunes of the brilliant family who had built and lived in the house and then, broken and impoverished, had left it.

“Yes,” said Broker Gratjens, “it’s sad, when you think of the madness that led to their ruin. If Dietrich Ratenkamp had not taken that fellow Geelmaack for a partner! I flung up my hands, I know, when he came into the management. I have it on the best authority, gentlemen, that he speculated disgracefully behind Ratenkamp’s back, and gave notes and acceptances right and left in the firm’s name. … Finally the game was up. The banks got suspicious, the firm couldn’t give security. … You haven’t the least idea … who looked after the warehouse, even? Geelmaack, perhaps? It was a perfect rats’ nest there, year in, year out. But Ratenkamp never troubled himself about it.”

“He was like a man paralysed,” the Consul said. A gloomy, taciturn look came on his face. He leaned over and stirred his soup, now and then giving a quick glance, with his little round deep-set eyes, at the upper end of the table.

“He went about like a man with a load on his mind; I think one can understand his burden. What made him take Geelmaack into the business – a man who brought painfully little capital, and had not the best of reputations? He must have felt the need of sharing his heavy responsibility with some one, not much matter who, because he realized that the end was inevitable. The firm was ruined, the old family passée. Geelmaack only gave it the last push over the edge.”

Pastor Wunderlich filled his own and his neighbour’s wineglass. “So you think my dear Consul,” he said with a discreet smile, “that even without Geelmaack, things would have turned out just as they did?”

“Oh, probably not,” the Consul said thoughtfully, addressing nobody in particular. “But I do think that Dietrich Ratenkamp was driven by fate when he took Geelmaack into partnership. That was the way his destiny was to be fulfilled. … He acted under the pressure of inexorable necessity. I think he knew more or less what his partner was doing, and what the state of affairs was at the warehouse. But he was paralysed.”

Assez, Jean,” interposed old Buddenbrook, laying down his spoon. “That’s one of your idées.…”

The Consul rather absently lifted his glass to his father. Lebrecht Kröger broke in: “Let’s stick by the jolly present!” He took up a bottle of white wine that had a little silver stag on the stopper; and with one of his fastidious, elegant motions he held it on its side and examined the label. “C. F. Köppen,” he read, and nodded to the wine-merchant. “Ah, yes, where should we be without you?”

Madame Antoinette kept a sharp eye on the servants while they changed the gilt-edged Meissen plates; Mamsell Jungmann called orders through the speaking-tube into the kitchen, and the fish was brought in. Pastor Wunderlich remarked, as he helped himself:

“This ‘jolly present’ isn’t such a matter of course as it seems, either. The young folk here can hardly realize, I suppose, that things could ever have been different from what they are now. But I think I may fairly claim to have had a personal share, more than once, in the fortunes of the Buddenbrook family. Whenever I see one of these, for instance –” he picked up one of the heavy silver spoons and turned to Madame Antoinette – “I can’t help wondering whether they belong to the set that our friend the philosopher Lenoir, Sergeant under his Majesty the Emperor Napoleon, had in his hands in the year 1806 – and I think of our meeting in Alf Street, Madame.”

Madame Buddenbrook looked down at her plate with a smile half of memory, half of embarrassment. Tom and Tony, at the bottom of the table, cried out almost with one voice, “Oh, yes, tell about it, Grandmama!” They did not want the fish, and they had been listening attentively to the conversation of their elders. But the Pastor knew that she would not care to speak herself of an incident that had been rather painful to her. He came to her rescue and launched out once more upon the old story. It was new, perhaps, to one or two of the present company. As for the children, they could have listened to it a hundred times.

“Well, imagine a November afternoon, cold and rainy, a wretched day; and me coming back down Alf Street from some parochial duty. I was thinking of the hard times we were having. Prince Blücher had gone, and the French were in the town. There was little outward sign of the excitement that reigned everywhere: the streets were quiet, and people stopped close in their houses. Prahl the master-butcher had been shot through the head, just for standing at the door of his shop with his hands in his pockets and making a menacing remark about its being hard to bear. Well, thought I to myself, I’ll just have a look in at the Buddenbrooks’. Herr Buddenbrook is down with erysipelas, and Madame has a great deal to do, on account of the billeting.

“At that very moment, whom should I see coming towards me but our honoured Madame Buddenbrook herself? What a state she was in! Hurrying through the rain hatless, stumbling rather than walking, with a shawl flung over her shoulders, and her hair falling down – yes, Madame, it is quite true, it was falling down!

“‘This is a pleasant surprise,’ I said. She never saw me, and I made bold to lay my hand on her sleeve, for my mind misgave me about the state of things. ‘Where are you off to in such a hurry, my dear?’ She realized who I was, looked at me, and burst out: ‘Farewell, farewell! All is over – I’m going into the river!’

“‘God forbid,’ cried I – I could feel that I went white. ‘That is no place for you, my dear.’ And I held her as tightly as decorum permitted. ‘What has happened?’ ‘What has happened!’ she cried, all trembling. ‘They’ve got at the silver, Wunderlich! That’s what has happened! And Jean lies there with erysipelas and can’t do anything – he couldn’t even if he were up. They are stealing my spoons, Wunderlich, and I am going into the river!’

“Well, I kept holding her, and I said what one would in such cases: ‘Courage, dear lady. It will be all right. Control yourself, I beg of you. We will go and speak with them. Let us go.’ And I got her to go back up the street to her house. The soldiery were up in the dining-room, where Madame had left them, some twenty of them, at the great silver-chest.

“‘Gentlemen,’ I say politely, ‘with which one of you may I have the pleasure of a little conversation?’ They begin to laugh, and they say: ‘With all of us, Papa.’ But one of them steps out and presents himself, a fellow as tall as a tree, with a black waxed moustache and big red hands sticking out of his braided cuffs. ‘Lenoir,’ he said, and saluted with his left hand, for he had five or six spoons in his right. ‘Sergeant Lenoir. What can I do for you?’

“‘Herr Officer,’ I say, appealing to his sense of honour, ‘after your magnificent charge, how can you stoop to this sort of thing? The town has not closed its gates to the Emperor.’

“‘What do you expect?’ he answered. ‘War is war. The people need these things.…’

“‘But you ought to be careful,’ I interrupted him, for an idea had come into my head. ‘This lady,’ I said – one will say anything at a time like that –‘the lady of the house, she isn’t a German. She is almost a compatriot of yours – she is a Frenchwoman. …’ ‘Oh, a Frenchwoman,’ he repeated. And then what do you suppose he said, this big swashbuckler? ‘Oh, an émigrée? Then she is an enemy of philosophy!’

“I was quite taken aback, but I managed not to laugh. ‘You are a man of intellect, I see,’ said I. ‘I repeat that I consider your conduct unworthy.’ He was silent for a moment. Then he got red, tossed his half-dozen spoons back into the chest, and exclaimed, ‘Who told you I was going to do anything with these things but look at them? It’s fine silver. If one or two of my men take a piece as a souvenir …’

“Well, in the end, they took plenty of souvenirs, of course. No use appealing to justice, either human or divine. I suppose they knew no other god than that terrible little Corsican.…”

figure

5

DID YOU EVER see him, Herr Pastor?”

The plates were being changed again. An enormous brick-red boiled ham appeared, strewn with crumbs and served with a sour brown onion sauce, and so many vegetables that the company could have satisfied their appetites from that one vegetable-dish. Lebrecht Kröger undertook the carving, and skilfully cut the succulent slices, with his elbows slightly elevated and his two long forefingers laid out along the back of the knife and fork. With the ham went the Frau Consul’s celebrated “Russian jam,” a pungent fruit conserve flavoured with spirits.

No, Pastor Wunderlich regretted to say that he had never set eyes on Bonaparte. Old Buddenbrook and Jean Jacques Hoffstede had both seen him face to face, one in Paris just before the Russian campaign, reviewing the troops at the Tuileries; the other in Dantzig.

“I must say, he wasn’t a very cheerful person to look at,” said the poet, raising his brows, as he disposed of a forkful of ham, potato, and sprouts. “But they say he was in a lively mood, at Dantzig. There was a story they used to tell, about how he would gamble all day with the Germans, and make them pay up too, and then spend the evening playing with his generals. Once he swept a handful of gold off the table, and said: ‘Les Allemands aiment beaucoup ces petits Napoléons, n’est-ce pas, Rapp?’ ‘Oui, Sire, plus que le Grand!’ Rapp answered.”

There was general laughter – Hoffstede had told the story very prettily, even mimicking the Emperor’s manner. Old Buddenbrook said: “Well, joking aside, one can’t help having respect for his personal greatness. … What a nature!”

The Consul shook his head gravely.

“No, no – we of the younger generation do not see why we should revere the man who murdered the Duc d’Enghien, and butchered eight hundred prisoners in Egypt.…”

“All that is probably exaggerated and overdrawn,” said Pastor Wunderlich. “The Duke was very likely a feather-brained and seditious person, and as for the prisoners, their execution was probably the deliberate and necessary policy of a council of war.” And he went on to speak of a book at which he had been looking, by one of the Emperor’s secretaries, which had appeared some years before and was well worth reading.

“All the same,” persisted the Consul, snuffing a flickering candle in the sconce in front of him, “I cannot understand it – I cannot understand the admiration people have for this monster. As a Christian, as a religious man, I can find no room in my heart for such a feeling.”

He had, as he spoke, the slightly inclined head and the rapt look of a man in a vision. His father and Pastor Wunderlich could be seen to exchange the smallest of smiles.

“Well, anyhow,” grinned the old man, “the little napoleons aren’t so bad, eh? My son has more enthusiasm for Louis Philippe,” he said to the company in general.

“Enthusiasm?” repeated Jean Jacques Hoffstede, rather sarcastically.… That is a curious juxtaposition, Philippe Égalité and enthusiasm.…”

“God knows, I feel we have much to learn from the July Monarchy,” the Consul said, with serious zeal. “The friendly and helpful attitude of French constitutionalism toward the new, practical ideals and interests of our time … is something we should be deeply thankful for. …”

“Practical ideals – well, ye-s –” The elder Buddenbrook gave his jaws a moment’s rest and played with his gold snuff-box. “Practical ideals – well – h’m – they don’t appeal to me in the least.” He dropped into dialect, out of sheer vexation. “We have trade schools and technical schools and commercial schools springing up on every corner; the high schools and the classical education suddenly turn out to be all foolishness, and the whole world thinks of nothing but mines and factories and making money.… That’s all very fine, of course. But in the long run, pretty stupid, isn’t it? … I don’t know why, but it irritates me like the deuce. … I don’t mean, Jean, that the July Monarchy is not an admirable régime. …”

Senator Langhals, as well as Gratjens and Köppen, stood by the Consul.… They felt that high praise was due to the French government, and to similar efforts that were being made in Germany. It was worthy of all respect – Herr Köppen called it “re-speck.” He had grown more and more crimson from eating, and puffed audibly as he spoke. Pastor Wunderlich had not changed colour; he looked as pale, refined, and alert as ever, while drinking down glass after glass of wine.

The candles burned down slowly in their sockets. Now and then they flickered in a draught and dispersed a faint smell of wax over the table.

There they all sat, on heavy, high-backed chairs, consuming good heavy food from good heavy silver plate, drinking full-bodied wines and expressing their views freely on all subjects. When they began to talk shop, they slipped unconsciously more and more into dialect, and used the clumsy but comfortable idioms that seemed to embody to them the business efficiency and the easy well-being of their community. Sometimes they even used an over-drawn pronunciation by way of making fun of themselves and each other, and relished their clipped phrases and exaggerated vowels with the same heartiness as they did their food.

The ladies had not long followed the discussion. Madame Kröger gave them the cue by setting forth a tempting method of boiling carp in red wine. “You cut it into nice pieces, my dear, and put it in the saucepan, add some cloves, and onions, and a few rusks, a little sugar, and a spoonful of butter, and set it on the fire.… But don’t wash it, on any account. All the blood must remain in it.”

The elder Kröger was telling the most delightful stories; and his son Justus, who sat with Dr. Grabow down at the bottom of the table, near the children, was chaffing Mamsell Jungmann. She screwed up her brown eyes and stood her knife and fork upright on the table and moved them back and forth. Even the Överdiecks were very lively. Old Frau Överdieck had a new pet name for her husband: “You good old bell-wether,” she said, and laughed so hard that her cap bobbed up and down.

But all the various conversations around the table flowed together in one stream when Jean Jacques Hoffstede embarked upon his favourite theme, and began to describe the Italian journey which he had taken fifteen years before with a rich Hamburg relative. He told of Venice, Rome, and Vesuvius, of the Villa Borghese, where Goethe had written part of his Faust; he waxed enthusiastic over the beautiful Renaissance fountains that wafted coolness upon the warm Italian air, and the formal gardens through the avenues of which it was so enchanting to stroll. Some one mentioned the big wilderness of a garden outside the Castle Gate, that belonged to the Buddenbrooks.

“Upon my word,” the old man said, “I still feel angry with myself that I have never put it into some kind of order. I was out there the other day – and it is really a disgrace, a perfect primeval forest. It would be a pretty bit of property, if the grass were cut and the trees trimmed into formal shapes.”

The Consul protested strenuously. “Oh, no, Papa! I love to go out there in the summer and walk in the undergrowth; it would quite spoil the place to trim and prune its free natural beauty.”

“But, deuce take it, the free natural beauty belongs to me – haven’t I the right to put it in order if I like?”

“Ah, Father, when I go out there and lie in the long grass among the undergrowth, I have a feeling that I belong to nature and not she to me.…”

“Krishan, don’t eat too much,” the old man suddenly called out, in dialect. “Never mind about Tilda – it doesn’t hurt her. She can put it away like a dozen harvest hands, that child!”

And truly it was amazing, the prowess of this scraggy child with the long, old-maidish face. Asked if she wanted more soup, she answered in a meek drawling voice: “Ye-es, ple-ase.” She had two large helpings both of fish and ham, with piles of vegetables; and she bent short-sightedly over her plate, completely absorbed in the food, which she chewed ruminantly, in large mouthfuls. “Oh, Un-cle,” she replied, with amiable simplicity, to the old man’s gibe, which did not in the least disconcert her. She ate: whether it tasted good or not, whether they teased her or not, she smiled and kept on, heaping her plate with good things, with the instinctive, insensitive voracity of a poor relation – patient, persevering, hungry, and lean.

figure

6

AND NOW CAME, in two great cut-glass dishes, the “Plettenpudding.” It was made of layers of macaroons, raspberries, lady-fingers, and custard. At the same time, at the other end of the table, appeared the blazing plum-pudding which was the children’s favourite sweet.

“Thomas, my son, come here a minute,” said Johann Buddenbrook, taking his great bunch of keys from his trousers pocket. “In the second cellar to the right, the second bin, behind the red Bordeaux, two bottles – you understand?” Thomas, to whom such orders were familiar, ran off and soon came back with the two bottles, covered with dust and cobwebs; and the little dessert-glasses were filled with sweet, golden-yellow malmsey from these unsightly receptacles. Now the moment came when Pastor Wunderlich rose, glass in hand, to propose a toast; and the company fell silent to listen. He spoke in the pleasant, conversational tone which he liked to use in the pulpit; his head a little on one side, a subtle, humorous smile on his pale face, gesturing easily with his free hand. “Come, my honest friends, let us honour ourselves by drinking a glass of this excellent liquor to the health of our host and hostess in their beautiful new home. Come, then – to the health of the Buddenbrook family, present and absent! May they live long and prosper!”